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Season 3 costume designer shares Claire
For Season 3, I researched photos of Old Hollywood starlets while they were off duty. Katherine Hepburn reading scripts, Lauren Bacall at the airport, and so on. I watched the movie "Adam's Rib" (which also centers around personal and professional tension between a husband and wife) to note the styles of women in the courtroom and apply that essence to Claire's looks when she visits the United Nations. I also pandora rings canada collected vintage patterns from pandora charms sale clearance the mid '40s by designers like Jacques Fath and dug through dusty boxes at vintage stores across the country.
As the sole costume designer for Claire Underwood this season, I'm always considering her clothes, shoes, handbags, jewelry, watches and even her eyewear as I plan the costumes for each scene. She wears more than pandora charms sale clearance 60 different looks throughout the season, pandora charms outlet about a quarter of which I've designed and made from scratch. Some pandora sale 2016 outfits were reproductions of archive pieces or based on vintage patterns, while others were commissioned directly from designers or pulled off the runway. Even the items purchased at retail stores were customized to pandora charms sale clearance be unique to Claire: sleeves were shortened to three quarter length, belts were added to jackets, buttons were replaced, etc.
I wanted Claire to have the chance to be vulnerable and feminine without losing her true self. Her character has been fighting her way to the top for the past two seasons, looking focused and streamlined in her protective armor of strict, sharp tailoring. In Season 3, there's a slight feeling (albeit temporarily) of respite from the fight as she finds herself in the White House. Her work is far from over, but I wanted to allow her a moment to enjoy herself. I softened the collars of her blouses, added kick pleats to the pencil skirts, pandora outlet opted for softer sleeves on jackets and used quite a few full skirt options. Colors include pale lilac, deep green, burgundy, raspberry and lots of blue. I made a concerted effort to avoid black in her wardrobe, but the camerawork and lighting on set does make everything seem a bit richer and darker than it is in real life.
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